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Celerity

Celerity's Journal
Celerity's Journal
April 10, 2024

The divided self: does where I live make me who I am?



At home in Delhi, I am a more social, interactive person. A quiet balcony in Frankfurt gave me space to be by myself

https://psyche.co/ideas/the-divided-self-does-where-i-live-make-me-who-i-am





Ever since my husband (M) moved to Germany to pursue his master’s late in 2022, we’d been living apart on two continents. The summer following, I got a chance to spend two months with him in his rented apartment in Frankfurt. With its insulated glass doors, automated windows and extremely organised interiors, the apartment was shut off from the outside world. If you rolled down the shutters, you could easily forget if it was day or night. Everything we needed was indoors. If M’s room didn’t come with a balcony attached, it would have also been easy to forget that there was a world outside, too. This mode of living was so unlike what I was used to in Delhi that my stay with M created a subliminal shift: it forced me to consider life and its cadences, and their direct dependence on the spaces we call home.

Back in Delhi, I was renting a two-bedroom ground-floor flat that came with two (tiny) balconies, a large living room and a dining space attached to the kitchen. The neighbourhood cats were always dipping in and out of the place, reminding me that mine was a porous and accepting way of living. Such a fluid arrangement of space suited me. Cats, people and seasons could come and go but I was the constant, unmoving, governing factor. Head of the household. I’d decide when to leave the balcony doors open, when to invite people over, when to step out. In the backyard, there are unending views of trees and the constant cacophony that comes with living in a bustling and bruised city like Delhi. Next door is a massive secondary high school where hundreds of children screech in the playground every morning. I hear them singing during assembly, and the music of their carnival practice and performances is the background to my days. When my upstairs neighbours prepare their Bengali dishes at weekends, my entire house is pervaded with the mouth-watering aromas of mustard and fish. Their kids drop by sometimes, in the evenings, to take Hindi language lessons from me or just to say hello to the cats. This carousel of tangible human activity makes up the interiors of my day-to-day life. In a sense, it is a tactile existence, requiring more from me than is immediately apparent.



In Delhi, it’s almost impossible to be self-involved, for a boundaryless living arrangement invariably pulls me into other people’s worlds; that of Raju, the door-to-door vegetable vendor; the grocer who home-delivers past business hours; the stray cats who come to visit and sometimes stay. My local chemist, the house help, my upstairs neighbours, the society guard – all constitute my daily living as much as I do, making me a more social, dependent, interactive person. This kind of constant exchange with the outside world alters the very fabric of an individual.

M’s Frankfurt flat has dedicated rooms for different people from different parts of the world. There’s a shared kitchen and hall area and a massive balcony intended for everyone’s use, but it ended up coming in handy only for me. Over last year’s extended summer, the endless stretch of that balcony became my island of comfort. I took work calls as I paced its length, the blue sky stretching above, allowing for a kind of shelter from all that was unknown: a new organisation, new colleagues, new projects to get lost in. The German sun worked like a balm, soothing my anxious nerves as I spoke at length about ongoing projects. Up in the air, in a sterile, muted space, cordoned off from the world below, the balcony became an oddly private space. A space like this in Delhi would be a window through which the outer world – the turgid air, the noisy monkeys, the neighbour’s drying laundry – would seep in. But the Frankfurt balcony gave me space to be by myself, suspended between a self neither fully here nor there.

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April 9, 2024

Trump election campaign confident of victory after portents of doom strike America

DONALD Trump’s campaign team say they are confident in their chances of electoral success as an earthquake and solar eclipse foreshadow great evil coming to the US.

https://www.thedailymash.co.uk/news/international/trump-election-campaign-confident-of-victory-after-portents-of-doom-strike-america-20240408246719

https://archive.is/XLmqb



After New York was shaken by tremors on Friday and the sun will turn black over great swathes of America today, the Republican nominee’s team have confirmed that these Biblical portents are a clearer sign of upcoming victory than any opinion poll.

A campaign spokesman said: “Our next milestone is the plague of locusts we’re anticipating around June, and if we have a rain of blood and hail by mid-August, we’ll know our team is winning round swing voters on the doorstep.

“Then we’ll be looking out for great cracks in the earth belching forth fire and brimstone, and hopefully some kind of hideous beast rising from the boiling sea, like Godzilla. People will really get on board with that because they’ve seen it at the movies.

“And if a star falls from the heavens and poisons the waters of the earth by the time of the second presidential debate, then there’ll be no doubt. We’ll be expecting a landslide on election day. Literally. San Francisco will be in the sea by lunchtime.”


April 9, 2024

LoFi House Mix - 2 Years of Stoner House by Katarakt



𝙏𝙍𝘼𝘾𝙆𝙇𝙄𝙎𝙏 [𝙇𝙊𝙁𝙄 𝙃𝙊𝙐𝙎𝙀 𝙈𝙄𝙓 | 2 𝙔𝙀𝘼𝙍𝙎 𝙊𝙁 𝙎𝙏𝙊𝙉𝙀𝙍 𝙃𝙊𝙐𝙎𝙀 𝘽𝙔 𝙆𝘼𝙏𝘼𝙍𝘼𝙆𝙏]

00:00:00 TELL • FLOATING LANDS
00:06:33 MAKAM • THE HAGUE SOUL
00:12:33 SEE OTHER • WAITIN
00:15:50 FRANCIS INFERNO ORCHESTRA • HARMONY
00:19:04 DEMUJA • LOOSE LEGS
00:23:00 PAUL RUDDER • SHE
00:27:50 BALTRA • TEARS DROP
00:34:08 DJ BORING • SUNDAE AVENUE
00:38:51 DEMUJA • MOVE
00:44:05 MOOD J • NY VIBRATION
00:48:40 DJ SEINFELD • U
00:54:15 CRISTO • HOUSE OF SURF
00:57:55 HARRISON DBP • DECOMPRESSION
01:03:40 BALTRA • FADE AWAY (VOCAL)
01:10:30 DJ BORING • WINONA
01:18:00 LAURENCE GUY • SAW YOU FOR THE FIRST TIME
01:23:27 TOUR MAUBOURG • MANHATTAN TO BROOKLYN
01:28:37 MATTHIAS VOGT • MAINTAIN (VINCE WATSON REMIX)
01:32:54 LUVLESS • SLIGHTLY DIFFERENT
01:37:34 TECH SUPPORT • HEAT WAVE (BLACK LOOPS REMIX)
01:42:44 OSUNLADE • MOMMA'S GROOVE (JIMPSTER'S HIP REPLACEMENT MIX)
01:48:01 NEVER DULL • WHAT IS JAZZ
01:53:00 ROSS FROM FRIENDS • GETTIN' IT DONE
01:56:18 CODY CURRIE • SHE'S TOO LAZY, I SWEAR
02:01:22 CALVERA • LONG WEEKEND
02:04:45 MR. HAZELTINE • THEORY OF MIND
02:09:25 SEPEHR • OUTER SPACE
02:13:41 PAVEL • LEUKEMIA
02:20:10 DANIEL KLAUSER • ALWAYS I'M BACK HERE
02:25:30 EDMONDSON • FLAMINGO TRIPPER
02:29:38 TEREKKE • BANK 3
02:35:05 ART VANDELAY • BALLIN
02:39:00 TREVINO & ENDIAN • EXOTICA
02:44:00 JOSS MOOG • TOKYO NIGHTS
02:48:10 MICRONISM • ENGAGING CAUSELESS MERCY
02:52:54 SWEELY • ALL THE REASONS
02:57:20 DJ WINDOWS XP • BREAKFAST AT WENDY'S
03:01:20 SWEELY • YOU DON'T REALLY WANT ME
03:06:02 AERIAL BOY • THE WAVES
03:11:20 DJ BORING • 6 AM MIMOSA
03:18:00 SUBJOI • THE WAY I FEEL
03:22:20 [UNRELEASED TRACK OF DJ POOLBOI]
03:29:00 NINE • MAIRONIS
03:33:45 RAÄR • SOMETIMES I HEAR SIRENS
April 9, 2024

Dolce & Gabbana unveils supertall skyscraper in Miami

https://www.dezeen.com/2024/04/03/dolce-gabbana-first-branded-supertall-hotel-miami/







Fashion brand Dolce & Gabbana has released renderings of a supertall skyscraper in Miami, created in collaboration with New York architecture practice Studio Sofield, which will be its first branded residences. Located in the Brickell neighbourhood of downtown Miami, the 90-storey tower will reach 1,049 feet high (320 metres), the same height as the city's in-progress first supertall skyscraper, the Waldorf Astoria Miami.







Named 888 Brickell, the skyscraper will host 259 "Dolce & Gabbana-designed" residences, restaurants and bars, and amenities such as a pool deck, event space, and fitness and spa centre. Renderings show a slim tower on a rectangular base wrapped in double-height windows. Open-air amenity areas are located both on top of the base and on the building's roof, which dons a bronze, rectangular cap.







The facade, designed by Studio Sofield, was created to invoke "quintessential modernist skyscrapers and Milanese mid-century design and fashion" according to the team. Ivory travertine and matte black steel beams will be used on the exterior, with gold and bronze highlights interspersed throughout.







Dolce & Gabbana collaborated with Milan-based studio M2Atelier on the interiors for the project, with renderings picturing dark, moody public spaces outfitted with metallic highlights and animal-print furniture. "The designs epitomise the fashion house's commitment to sourcing 'fatto a mano' (handmade) and well-considered materials in a perfect meeting of Italianate and Miami glamour and grace" said the team. "The signature hues of Dolce & Gabbana – black, gold, and red – are expertly interwoven into the interior design, culminating in a luxurious and cohesive ambience."

snip





April 9, 2024

Rethinking universalism and social rights



Social rights in Europe today require marrying 20th-century universalism with the meeting of diverse, complex needs.

https://www.socialeurope.eu/rethinking-universalism-and-social-rights



Rights and universalism were the two main banners of 20th-century social policy. Proclaimed within the liberal-reformist and then the social-democratic tradition, they long defined the ‘European’ welfare state. Today, they need to be redesigned—to realign with the new economic and social context and recover their ability to inspire progress and innovation. The need to rethink universalism stems in particular from the growing importance of services. Entitlement to welfare benefits depends essentially on formal rules and cash payments can reach all potential beneficiaries. With social services, however, outputs have to be produced and ‘packaged’ so as to be tailored to individual needs. A universal right is then not universally effective. Specialised staff are needed, capable of addressing complex needs and deciphering unclear challenges. It is not so simple to insure against social risks when any individual’s exposure is situationally contextualised and interacting risks may be in play. Without throwing out the baby of all-encompassing inclusion with this muddy bathwater, universalism must accept and accommodate complexity and diversity.

Differentiated universalism

An apparent oxymoron has been advanced in Italian debates on minimum benefits—selective universalism. Here selection can apply to users (based, for instance, on their economic situation) and/or the range and type of benefits (based on cost-effectiveness). As for services, what in Scandinavia is described as differentiated universalism offers additional insights. Situational factors requires provision responding to ‘intersectional’ needs in local contexts and lifeworlds. Such a differentiated response does not however rule out standardised selection of a package of universal basic services aimed at ‘capacitating’ situated individuals, enabling them to ‘function’ (in Amartya Sen’s sense). Differentiation also applies to how services are delivered. The Italian debate on secondo welfare has highlighted the value of organisational pluralism within a framework of public-interest service obligations.

The state continues to discharge four essential functions: guaranteeing equality of access between and within localities, setting and enforcing ethical and quality standards, orchestrating the collection of the necessary funds and co-ordinating activities across different areas of need. But there are new margins for social participation and co-creation. Key decisions combine the ‘experiential wisdom’ of residents, the codified knowledge of experts and the strategic insights of elected representatives, accompanied by citizens’ juries and assemblies. The need for adaptation extends from the principle of universalism to the concept of social rights. In the last century, the welfare state basically meant entitlements to protection, regulated by the law and justiciable in the courts. Persistently high non-take up of benefits and, again, the increasing important of services call for a shift of focus from legal entitlement to effective furnishing. Justiciability links an entitlement to the threat of ex post coercion. But if a citizen has an impending need, what matters is the timely availability of a quality service where they are located. Legal action against a provider cannot ensure a citizen will receive what they need in the here and now.

From rights to guarantees

While for the financial component of the social safety net the concept of justiciable right remains valid, for basic services it is more appropriate to use the term guarantee. This term has a long history and has recently entered the European Union vocabulary vis-à-vis youth and children. So far it has been perceived and used as a soft-law instrument. But the guarantee may well be hardened and become cogent on the supply side. A ‘right’ focuses on the demand side (to what the citizen is entitled), whereas a ‘guarantee’ shifts the emphasis to what the state is required to do, envisaging sanctions in case of non-compliance. Supply-side ‘activation’ obviously implies the mandatory allocation of adequate resources—financial resources to produce outputs but also instrumental resources to facilitate access for citizens. Users would retain the right to complain through organised, but not necessarily judicial, procedures. In addition to defining eligible users and mandating the production of outputs, social guarantees can mobilise additional funds, staff and civil-society organisations.

snip
April 8, 2024

Total Eclipse - Waiting For A New Life (Shanti V Deedrah Remix) [Video Clip / 4K] (2024) 🖤



Shamanic Tales Records - SHAMAN062

Shamanic Tales are thrilled to present a new interpretation to a Goa Trance classic we grew up on. Shanti V Deedrah transformed the Total Eclipse legacy tune that brought tears of joy to so many back in the middle of the 90s into a real contemporary dancefloor anthem redressing the original's unparalleled melodic genius. We just can't wait to see it drive the big festivals into a frenzy of happiness.

Released March 4, 2024

Written by Serge Souque. Remixed by Shanti V Deedrah.

April 8, 2024

Total Eclipse Vs. Ecosphere - Le Gardien Des Reves (Original Mix) + Neko Chan (French Psy Trance)

Le Gardien Des Rêves



Total Eclipse Vs. Ecosphere - Neko Chan



Label: Mandala Records – MANDG007
Format: 5 x File, MP3, EP, 320 kbps
Country: France
Released: 4 Sept 2012
Genre: Electronic
Style: Psy-Trance, Goa Trance



April 8, 2024

Eclipse - Take Me Down (6 Underground) (Bini & Martini Old Skool Mix) 2002



Label: Ocean Trax – OCN 081
Format:
Vinyl, 12"
Country: Italy
Released: 2002
Genre: Electronic
Style: House







April 8, 2024

The Police - Invisible Sun



Label: A&M Records – AMS 8164
Format: Vinyl, 7", Single, 45 RPM
Country: UK
Released: 1981
Genre: Rock, Pop
Style: Alternative Rock, Pop Rock



Profile Information

Gender: Female
Hometown: London
Home country: US/UK/Sweden
Current location: Stockholm, Sweden
Member since: Sun Jul 1, 2018, 07:25 PM
Number of posts: 43,349

About Celerity

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