Welcome to DU!
The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards.
Join the community:
Create a free account
Support DU (and get rid of ads!):
Become a Star Member
Latest Breaking News
General Discussion
The DU Lounge
All Forums
Issue Forums
Culture Forums
Alliance Forums
Region Forums
Support Forums
Help & Search
The Bricks We Stand On
Cottenham had committed no true crime. Vagrancy the offense of a person not being able to prove at a given moment that he or she is employed, was a new and flimsy concoction dredged up from legal obscurity at the end of the nineteenth century by the state legislatures of Alabama and other southern states. It was capriciously enforced by local sheriffs and constables, adjudicated by mayors and notaries public, recorded haphazardly or not at all in court records, and, most tellingly in a time of massive unemployment among all southern men, was reserved almost exclusively for black men. Cottenham's offense was blackness.
After three days behind bars, twenty-two-year-old Cottenham was found guilty in a swift appearance before the county judge and immediately sentenced to a thirty-day term of hard labor. Unable to pay the array of fees assessed on every prisoner—fees to the sheriff, the deputy, the court clerk, the witnesses—Cottenham's sentence was extended to nearly a year of hard labor.
snip
That the arc of Green Cottenham's life led from a birth in the heady afterglow of emancipation to his degradation at Slope No. 12 in 1908 was testament to the pall progressing over American black life. But his voice, and that of millions of others, is almost entirely absent from the vast record of the era. Unlike the victims of the Jewish Holocaust, who were on the whole literate, comparatively wealthy, and positioned to record for history the horror that enveloped them, Cottenham and his peers had virtually no capacity to preserve their memories or document their destruction. The black population of the United States in 1900 was in the main destitute and illiterate. For the vast majority, no recordings, writings, images, or physical descriptions survive. There is no chronicle of girlfriends, hopes, or favorite songs of the dead in a Pratt Mines burial field. The entombed there are utterly mute, the fact of their existence as fragile as a scent in wind.
That silence was an agonizing frustration in the writing of this book— especially in light of how richly documented were the lives of the whites most interconnected to those events. But as I sifted more deeply into the fragmented details of an almost randomly chosen man named Green Cottenham and the place and people of his upbringing, the contours of an archetypal story gradually appeared. I found the facts of a narrative of a group of common slave owners named Cottingham and common slaves who called themselves versions of the same name; of the industrial slavery that presaged the forced labor of a quarter century later; of an African ancestor named Scipio who had been thrust into the frontier of the antebellum South; of the family he produced during slavery and beyond; of the roots of the white animosities that steeped the place and era of Green Cot-tenham's birth; of the obliterating forces that levered upon him and generations of his family. Still, how could the account of this vast social wound be woven around the account of a single, anonymous man who by every modern measure was inconsequential and unvoiced? Eventually I recognized that this imposed anonymity was Green's most authentic and compelling dimension.
Retracing the steps from the location of the prison at Slope No. 12 to the boundaries of the burial field, considering even without benefit of his words the stifled horror he and thousands of others must have felt as they descended through the now-lost passageway to the mine, I came to understand that Cottenham belonged as the central figure of this narrative. The slavery that survived long past emancipation was an offense permitted by the nation, perpetrated across an enormous region over many years and involving thousands of extraordinary characters. Some of that story is in fact lost, but every incident in this book is true. Each character was a real person. Every direct quotation comes from a sworn statement or a record documented at the time. I try to tell the story of many places and states and the realities of what happened to millions of people. But as much as practicable, I have chosen to orient this narrative toward one family and its descendants, to one section of the state most illustrative of its breadth and injury, and to one forgotten black man, Green Cottenham. The absence of his voice rests at the center of this book.
Read More: https://erenow.com/modern/slavery-by-another-name/1.php
………………………………………...
The entombed there are utterly mute, the fact of their existence as fragile as a scent in wind.
Eventually I recognized that this imposed anonymity was Green's most authentic and compelling dimension.
one forgotten black man, Green Cottenham. The absence of his voice rests at the center of this book.
After three days behind bars, twenty-two-year-old Cottenham was found guilty in a swift appearance before the county judge and immediately sentenced to a thirty-day term of hard labor. Unable to pay the array of fees assessed on every prisoner—fees to the sheriff, the deputy, the court clerk, the witnesses—Cottenham's sentence was extended to nearly a year of hard labor.
snip
That the arc of Green Cottenham's life led from a birth in the heady afterglow of emancipation to his degradation at Slope No. 12 in 1908 was testament to the pall progressing over American black life. But his voice, and that of millions of others, is almost entirely absent from the vast record of the era. Unlike the victims of the Jewish Holocaust, who were on the whole literate, comparatively wealthy, and positioned to record for history the horror that enveloped them, Cottenham and his peers had virtually no capacity to preserve their memories or document their destruction. The black population of the United States in 1900 was in the main destitute and illiterate. For the vast majority, no recordings, writings, images, or physical descriptions survive. There is no chronicle of girlfriends, hopes, or favorite songs of the dead in a Pratt Mines burial field. The entombed there are utterly mute, the fact of their existence as fragile as a scent in wind.
That silence was an agonizing frustration in the writing of this book— especially in light of how richly documented were the lives of the whites most interconnected to those events. But as I sifted more deeply into the fragmented details of an almost randomly chosen man named Green Cottenham and the place and people of his upbringing, the contours of an archetypal story gradually appeared. I found the facts of a narrative of a group of common slave owners named Cottingham and common slaves who called themselves versions of the same name; of the industrial slavery that presaged the forced labor of a quarter century later; of an African ancestor named Scipio who had been thrust into the frontier of the antebellum South; of the family he produced during slavery and beyond; of the roots of the white animosities that steeped the place and era of Green Cot-tenham's birth; of the obliterating forces that levered upon him and generations of his family. Still, how could the account of this vast social wound be woven around the account of a single, anonymous man who by every modern measure was inconsequential and unvoiced? Eventually I recognized that this imposed anonymity was Green's most authentic and compelling dimension.
Retracing the steps from the location of the prison at Slope No. 12 to the boundaries of the burial field, considering even without benefit of his words the stifled horror he and thousands of others must have felt as they descended through the now-lost passageway to the mine, I came to understand that Cottenham belonged as the central figure of this narrative. The slavery that survived long past emancipation was an offense permitted by the nation, perpetrated across an enormous region over many years and involving thousands of extraordinary characters. Some of that story is in fact lost, but every incident in this book is true. Each character was a real person. Every direct quotation comes from a sworn statement or a record documented at the time. I try to tell the story of many places and states and the realities of what happened to millions of people. But as much as practicable, I have chosen to orient this narrative toward one family and its descendants, to one section of the state most illustrative of its breadth and injury, and to one forgotten black man, Green Cottenham. The absence of his voice rests at the center of this book.
Read More: https://erenow.com/modern/slavery-by-another-name/1.php
………………………………………...
The entombed there are utterly mute, the fact of their existence as fragile as a scent in wind.
Eventually I recognized that this imposed anonymity was Green's most authentic and compelling dimension.
one forgotten black man, Green Cottenham. The absence of his voice rests at the center of this book.
No words.
13 replies
= new reply since forum marked as read
= new reply since forum marked as read
