The Other “Culture War”: Honduras and Mexico: Open Season on Journalists
The Other “Culture War”
Honduras and Mexico: Open Season on Journalists
by NICK ALEXANDROV
Weekend Edition February 7-9, 2014
Last December, the New York Times’ David Carr reported on Vice President Biden’s trip to China, where he “spoke plainly about the role of a free press in a democratic society.” The benighted audience was surely keen to learn about this Western institution, and “it was heartening to see the White House at the forefront of the effort to ensure an unfettered press,” Carr affirmed. No doubt. Down here on Earth, meanwhile, Washington has long been at the forefront of an effort to promote cultural devastation, targeting journalists, artists, and independent thinkers more generally. This cultural ruin is a predictable consequence of U.S. support for repressive regimes—a tradition Obama has worked hard to uphold.
Consider the June 2009 coup against Honduran President Manuel Zelaya, which four School of the Americas graduates helped orchestrate. Even the attorney responsible for giving it a legal veneer admitted the ouster was “a crime,” and in its aftermath Obama recognized Porfirio Lobo, winner of a fraudulent election marred by political violence and ballot irregularities, as the country’s new leader. Now, Honduran journalists are weathering a “deluge of threats, attacks and targeted killings,” PEN International reported recently. Honduran “economic elites have established unwritten limits as to what can be investigated by major news agencies,” and independent journalists face similar restrictions. Whoever ignores these limits pays the ultimate price.
Nahúm Palacios “opposed the 2009 coup and turned his TV station into an openly pro-opposition channel,” PEN notes. The military threatened him, but he persisted, and he and his girlfriend were murdered in March 2010. Israel Zelaya Díaz covered politics and crime, and managed a program aired on San Pedro Sula’s Radio Internacional. Assailants torched his home in May 2010, and then shot him to death three months later. A group of men stopped television producer Adán Benítez, who had put out a story on gang activity, in July 2011; they demanded his valuables, and then killed him. Medardo Flores Hernández was a volunteer reporter and finance minister for a pro-Zelaya organization when he was gunned down in September 2011. Early the following month, Obama received Honduran President Lobo at the White House, commending his “strong commitment to democracy.” Radio journalist Luz Marina Paz Villalobos, a coup critic, was murdered on December 6, 2011.
Mexican reporters are also at risk, as theirs “has become the most dangerous country in the Western Hemisphere for journalists,” Emily Edmonds-Poli wrote in a Wilson Center report last April, reviewing the situation in this “drug war” ally. In the state of Veracruz, for instance, there was a series, in the spring of 2012, of high-profile killings: a group of men invaded investigative reporter Regina Martínez’s home in Xalapa, and murdered her there. The dismembered bodies of three photojournalists pursuing stories on organized crime were discovered on the side of a highway four days later. “The fear is terrible and well founded,” an ex-reporter told the Guardian’s Jo Tuckman. “The heroes are in the cemetery.” This woman is hardly the only one to have abandoned the profession. A university official in Veracruz, quoted by Edmonds-Poli, surveyed the corpse-strewn landscape: “It’s not that they’re just killing reporters, they’re killing the drive to become one.” The destructive effects are equally far-reaching in Honduras. PEN quotes Honduran activists who “stressed that the neglect, marginalization and underfunding of cultural spaces” have gutted the nation’s creative sector, sharply delimiting the range of questions to which artists and independent researchers can safely respond.
More:
http://www.counterpunch.org/2014/02/07/honduras-and-mexico-open-season-for-journalists/
