Drone Whistleblowers Step Out of the Shadows

[polly7]

By Pratap Chatterjee
Source: TomDispatch.com
April 21, 2016

“Sometimes I am so sad that my heart wants to explode,” an Afghan man says, speaking directly into the camera. “When your body is intact, your mind is different. You are content. But the moment you are wounded, your soul gets damaged. When your leg is torn off and your gait slows, it also burdens your spirit.” The speaker is an unnamed victim of a February 2010 drone strike in Uruzgan, Afghanistan, but he could just as easily be an Iraqi, a Pakistani, a Somali, or a Yemeni. He appears in National Bird, a haunting new documentary film by Sonia Kennebeck about the unexpected and largely unrecorded devastation Washington’s drone wars leave in their wake. In it, the audience hears directly from both drone personnel and their victims.

“I Was Under the Impression That America Was Saving the World”

“When we are in our darkest places and we have a lot to worry about and we feel guilty about our past actions, it’s really tough to describe what that feeling is like,” says Daniel, a whistleblower who took part in drone operations and whose last name is not revealed in National Bird. Speaking of the suicidal feelings that sometimes plagued him while he was involved in killing halfway across the planet, he adds, “Having the image in your head of taking your own life is not a good feeling.”

National Bird is not the first muckraking documentary on Washington’s drone wars. Robert Greenwald’s Unmanned, Tonje Schei’s Drone, and Madiha Tahrir’s Wounds of Waziristan have already shone much-needed light on how drone warfare really works. But as Kennebeck told me, when she set out to make a film about the wages of the newest form of war known to humanity, she wanted those doing the targeting, as well as those they were targeting, to speak for themselves. She wanted them to reveal the psychological impact of sending robot assassins, often operated by “pilots” halfway around the world, into the Greater Middle East to fight Washington’s war on terror. In her film, there’s no narrator, nor experts in suits working for think tanks in Washington, nor retired generals debating the value of drone strikes when it comes to defeating terrorism.

Instead, what you see is far less commonplace: low-level recruits in President Obama’s never-ending drone wars, those Air Force personnel who remotely direct the robotic vehicles to their targets, analyze the information they send back, and relay that information to the pilots who unleash Hellfire missiles that will devastate distant villages. If recent history is any guide, these drones do not just kill terrorists; in their target areas, they also create anxiety, upset, and a desire for revenge in a larger population and so have proven a powerful weapon in spreading terror movements across the Greater Middle East.

These previously faceless but distinctly non-robotic Air Force recruits are the cannon fodder of America’s drone wars. You meet two twenty-somethings: Daniel, a self-described down-and-out homeless kid, every male member of whose family has been in jail on petty charges of one kind or another, and Heather, a small town high school graduate trying to escape rural Pennsylvania. You also meet Lisa, a former Army nurse from California, who initially saw the military as a path to a more meaningful life.

Kennebeck’s interviewees are among at least a dozen whistleblowers who have stepped forward, or are preparing to do so, in order to denounce Washington’s drone wars as morally unjustified, as in fact nightmares both for those who fight them and those living in the lands that are on the receiving end. The realities of the day-in, day-out war they fought for years were, as they tell it, deeply destructive and filled with collateral damage of every sort. Worse yet, drone operators turn out to have little real idea about, and almost no confirmation of, whom exactly they’ve blown away.

“It’s so primitive, raw, stripped-down death. This is real. It’s not a joke,” says Heather, an imagery analyst whose job was to look at the streaming video coming in from drones over war zones and interpret the grainy images for senior commanders in the kill chain. “You see someone die because you said it was okay to kill them. I was always shaking. Sometimes I would just go to the bathroom and just sit on the toilet. I mean just sit there in my uniform and just cry.”

Full article: https://zcomm.org/znetarticle/drone-whistleblowers-step-out-of-the-shadows/

[FuzzyRabbit]

1. "not a single candidate for president in 2016 has rejected the drone program."

When the president and his key officials look at the drone program, they undoubtedly don’t “see” women and children. Instead, they are caught up in a Hollywood-style vision of imminent danger from terrorists and of the kind of salvation that a missile launched from thousands of miles away provides. It is undoubtedly thanks to just this thought process, already deeply embedded in the American way of war, that not a single candidate for president in 2016 has rejected the drone program.

[zentrum]

2. America is a

….highly immoral country and I doubt this will change.

[KoKo]

3. K&R!