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snagglepuss

(12,704 posts)
Fri Feb 10, 2012, 06:56 PM Feb 2012

Editors are no longer frightened of politicians but of Islamist violence, oligarchs and CEOs.

by Nick Cohen, Literary Review


The grand posture of writers in liberal democracies is that they are the moral equivalents of dissidents in repressive regimes. Loud-mouthed newspaper columnists claim to 'speak truth to power'. Novelists, artists, playwrights and comedians announce their willingness to transgress boundaries. Their publishers look for controversy like boozers look for brawls because they know that few marketing strategies beat the claim that a courageous iconoclast is challenging establishments and shattering taboos.

To maintain the illusion that they are part of some kind of radical underground, intellectuals must practise a deceit. They can never admit to their audience that fear of violent reprisals, ostracism or crippling financial penalties keeps them away from subjects that ought to concern them - and their fellow citizens.


snip

Challenging writing about economic crises is as rare. Diligent readers have every right to ask why so few financial writers warned them that the greatest crash since 1929 was on the way. As no less a personage than Her Majesty the Queen said to the academics at the London School of Economics, 'Did nobody notice?'

In Britain's case, any writer who had tried to research a book on the rapacious and authoritarian managers at the Royal Bank of Scotland or HBOS, for instance, or on the insanely reckless derivative swap and insurance markets in the London-based subsidiaries of Wall Street banks, would have run into the libel law. It is some barrier to overcome. The cost of a libel action in England and Wales is 140 times the European average. Contrary to common law and natural justice, the burden of proof is on the defendant. Even the few remaining wealthy newspapers, which have business models that have not yet been destroyed by the Internet, find it hard to afford a court case. For the publisher of a serious book, which would do well if it sold 50,000 copies, the idea of risking £1 million or more in a legal fight to defend it is close to unthinkable.



http://www.literaryreview.co.uk/cohen_02_12.php






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