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Trump's Dictator Chic (Politico article by author of book on autocrats' design tastes)
http://www.politico.com/magazine/story/2017/03/trump-style-dictator-autocrats-design-214877Every good brand needs a theme and an aesthetic, and President Donald Trump has spent decades cultivating both. The theme is success, wealth, winning, and the aesthetic is bright, brassy, loud—or, depending whom you ask, gaudy and fake. In person, the Trump look is that distinctive hair, oversized suits (apparently from the expensive Italian clothier Brioni) and long, shiny, red ties. Architecturally, it’s gilt and mirrors, as in his famous marble-and-gold Trump Tower apartment, photographed many times over the years, with its canopy beds, fresco-style ceilings and colossal chandeliers.
Trump’s design aesthetic is fascinatingly out of line with America’s past and present. If you doubt it, note that the interiors of the apartments his company actually sells bear no resemblance to the one he lives in. But that doesn’t mean his taste comes from nowhere. At one level, it’s aspirational, meant to project the wealth so many citizens can only dream of. But it also has important parallels—not with Italian Renaissance or French baroque, where its flourishes come from, but with something more recent. The best aesthetic descriptor of Trump’s look, I’d argue, is dictator style.
A decade ago, I published a book on exactly that topic: Fascinated by the question of what makes dictators’ houses so recognizably similar, I spent months poring over pictures—from across the continents, from the end of the 19th century to the beginning of the 21st—and trying to pick out the features they had in common and what those features said about their occupants. I ended up with 16 case studies—strongmen from Mexico’s Porfirio Díaz to Serbia’s Slobodan Milosevic—and most of them, I concluded, obeyed 10 defining “dictator chic” rules.
The first: Go big. Dictators’ building projects are almost always ludicrously overscaled. In the 1980s, the seriously short Nicolae Ceausescu, Romania’s longtime president, and his wife, Elena, started building what was to become one of the largest government buildings in the world. They called it the “People’s Palace,” and they knocked down a good chunk of old Bucharest to make room for it. There was a huge, impressive, yet hideous facade and, inside, quite intimidatingly large public rooms. The Ceausescus were executed before the building was finished, and even today, it reportedly is mostly empty—too large for an entire country to fill.
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Trump’s design aesthetic is fascinatingly out of line with America’s past and present. If you doubt it, note that the interiors of the apartments his company actually sells bear no resemblance to the one he lives in. But that doesn’t mean his taste comes from nowhere. At one level, it’s aspirational, meant to project the wealth so many citizens can only dream of. But it also has important parallels—not with Italian Renaissance or French baroque, where its flourishes come from, but with something more recent. The best aesthetic descriptor of Trump’s look, I’d argue, is dictator style.
A decade ago, I published a book on exactly that topic: Fascinated by the question of what makes dictators’ houses so recognizably similar, I spent months poring over pictures—from across the continents, from the end of the 19th century to the beginning of the 21st—and trying to pick out the features they had in common and what those features said about their occupants. I ended up with 16 case studies—strongmen from Mexico’s Porfirio Díaz to Serbia’s Slobodan Milosevic—and most of them, I concluded, obeyed 10 defining “dictator chic” rules.
The first: Go big. Dictators’ building projects are almost always ludicrously overscaled. In the 1980s, the seriously short Nicolae Ceausescu, Romania’s longtime president, and his wife, Elena, started building what was to become one of the largest government buildings in the world. They called it the “People’s Palace,” and they knocked down a good chunk of old Bucharest to make room for it. There was a huge, impressive, yet hideous facade and, inside, quite intimidatingly large public rooms. The Ceausescus were executed before the building was finished, and even today, it reportedly is mostly empty—too large for an entire country to fill.
-snip-
6 replies
= new reply since forum marked as read
= new reply since forum marked as read
Meanwhile for the cold winter months, "Let them wear tees."
