The Case for American History A reply to National Review's Kevin D. Williamson TA-NEHISI COATES
http://www.theatlantic.com/business/archive/2014/06/the-case-for-american-history/371723/
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A 1939 Home Owners Loan Corporation Residential Security Map of Chicago shows discrimination against low-income and minority neighborhoods. The residents of the areas marked in red (representing hazardous real-estate markets) were denied FH (Frankie Dintino
I wanted to take moment to reply to Kevin Williamson's Case Against Reparations. I wanted to do that, primarily, because his piece covers many of the most common objections to my piece, but also because I've always been an admirer of Williamson's writing, if not his ideas. Among those ideas is a kind of historical creationism which holds that "race" is a fixed thing. The problems with this approach are many, and duly apparent from the outset.
Williamson says he is opposed to "converting the liberal Anglo-American tradition of justice into a system of racial apportionment." He then observes that, in fact, that tradition, itself, has always been deeply concerned with "racial apportionment." Thus within the second paragraph, Williamson is undermining his own thesisif the Anglo-American tradition is what he concedes it to be, no "converting" is required. We reverse polarity for a time, and then we all live happily ever after.
Or probably not. That is because Williamson's entire framing is wrong. Reparations are not due because black people are black, but because black people have been injured. And the Anglo-American tradition has never been a system of "racial apportionment," but of racist apportionment. Like most writers and public intellectuals (liberal and conservative) Williamson's reply is rooted in the idea of "race" as constanti.e. there is a "black race" that can be traced back to Africa, and a "white race" that can be traced back to Europe. There certainly is such a thing as African and European ancestry, and that ancestry is not entirely irrelevant to our world. But ancestry is tangential, and sometimes wholly unrelated, to racism, injury, and reparations.
We know this because there is no constant idea of "black" or "white" across time or space. We know this because Charlie Patton fathered the blues, and Alessandro de Medici ruled in Venice. Black in America is not black in Brazil, and black in modern America is not even black in 18th-century Louisiana. Nor are people we consider "white" today any sort of constant. Throughout American history it has been common to speak of an "Italian race," an "Irish race," a "Frankish race," a "Jewish race" even a "Southern race." One might take a hard look at Williamson's agreeable portrait, for instance, and note the problem of assigning anyone to a race. "Race," writes the imminent historian Nell Irvin Painter, "is an idea, not a fact."