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(36,879 posts)Liberty Leading the People (French: La Liberté guidant le peuple [la libɛʁte ɡidɑ̃ lə ppl]) is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled King Charles X of France. A woman of the people with a Phrygian cap personifying the concept of Liberty leads a varied group of people forward over a barricade and the bodies of the fallen, holding the flag of the French Revolution the tricolour, which again became France's national flag after these events in one hand and brandishing a bayonetted musket with the other. The figure of Liberty is also viewed as a symbol of France and the French Republic known as Marianne.
https://en.wikipedia.org/wiki/Liberty_Leading_the_People
Edit: Whoops, I see that that this is mentioned in the tweet... I was too busy looking at the pictures!
Glorfindel
(9,733 posts)Many of us wouldn't have seen it otherwise.
Alex4Martinez
(2,198 posts)And, stepping into light from a smoky background.
A sea of humanity, irresistible in its magnitude and strength, provided we don't lose momentum.
K/R
blaze
(6,372 posts)I saw the cover, but didn't know there was an interactive version. He has done so many great New Yorker covers.
He is also a children's book illustrator.
MLAA
(17,319 posts)Its really beyond my capabilities to describe it. How beautifully painted and how tragic a story it tells.
NoRoadUntravelled
(2,626 posts)Kadir Nelson's work captures a light within his subjects. I love it.
dhill926
(16,353 posts)saying...THIS is true America. I love it...
Historic NY
(37,452 posts)Niagara
(7,650 posts)Powerful.
iluvtennis
(19,870 posts)littlemissmartypants
(22,774 posts)Celerity
(43,492 posts)demmiblue
(36,879 posts)Two days after a Minneapolis cop killed George Floyd in late May, the novel coronavirus tallied its 100,000th American victim. More than 22,000 of those lost were black, though we only make up 13 percent of the overall U.S. population. As the global pandemic was laying bare virtually all of Americas structural inequalities, unrest on the Minneapolis streets swelled into the largest and most numerous public demonstrations for civil rights seen in generations. Tens of thousands of nonviolent protesters from various cultural backgrounds, in city after city, are crying out black lives matter, the mantra of the modern civil-rights movement and the rallying cry against the casual acceptance of our deaths.
Civil-rights organizers Alicia Garza, Patrisse Cullors, and Opal Tometi put those three words into our minds and hearts seven years ago, when they began to change the country. The sweeping calls for change we see today are not sudden, but the fruits of the labor of activists like them. Their work has given us room to demand more, because black lives dont truly matter just because people simply say so. This year alone, a white father and son carried out the modern-day lynching of 25-year-old Ahmaud Arbery near Brunswick, Georgia. If black lives mattered by now, we wouldnt have to say the name of Breonna Taylor, lost to a hail of police bullets in her own home in Louisville in March. Or chant the name of Floyd, killed for allegedly spending a counterfeit twenty-dollar bill at a corner grocery.
The protesters mobilized quickly and with unapologetic fury, their range of targets plentiful, whether it be overly militarized policing or inadequate medical services; mass incarceration or bigotry in the workplace; food insecurity or housing, Confederate monuments or racism in the entertainment industry. As black lives matter rings out from the mouths of protesters and corporations alike, what will it take to build an America where those three words are a statement of fact not a fight for survival?
It was seven years ago this July that Garza reacted to George Zimmermans acquittal of murder in the Trayvon Martin case with a viral Facebook post expressing her pain, writing: Black people. I love you. I love us. Our lives matter. Black Lives Matter.I was impacted in a way that I didnt expect, Garza tells me. We see black death all the time, and I dont know what it was about this, but I know I went home and then I woke up in the middle of the night crying. And I picked up my phone and I started clickety-clacking, right? Garza is now the principal of the Black Futures Lab, which works with voters and produces a Black Census Report. Patrisse Cullors, a Southern California activist close to Garza, saw the post and added the hashtag #blacklivesmatter. In New York City, immigration organizer Opal Tometi learned of the Zimmerman verdict after leaving a screening of the Ryan Coogler film Fruitvale Station, about the 2009 police shooting that killed Oscar Grant III. Already emotional, Tometi then read Garzas viral post.
https://www.rollingstone.com/culture/culture-features/black-lives-matter-jamil-smith-1014442/
calimary
(81,450 posts)WUNNNNNNNNNNNNNNNNNNNNNDERFUL!
Stuff like this makes me so proud, not to mention impressed! BRILLIANT!
Hugin
(33,198 posts)It's good to see fine art returning to the print media.
nuxvomica
(12,440 posts)Note the kid on the bicycle. The artist has taken great care to capture the sense of tension and balance, while all the other figures are either just standing or have the same raised-hand pose. This juxtaposition infuses the painting with energy. It's a brilliant compositional choice.
Lonestarblue
(10,063 posts)It is stunning.