Michael Moore's 'Sicko' confronts American public
The filmmaker's latest documentary asks why Americans don't demand better healthcare.
By John Horn, Times Staff Writer
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I don't have to convince the American public that there is something wrong with our health care system. I think most American people already feel that way," said Moore, who enjoys great coverage himself through the Directors Guild of America. "That's why I don't spend a lot of time in the film on the healthcare horror stories. I wanted to propose that there's a different way we can go with this. I'm hoping that the American people, when they see this film, will say, 'You know, there is a better way, and maybe we should look at what they are doing in some of these other countries..."
In a choice that certainly endeared "Sicko" to the local audience, Moore spends much of the film focusing on France's socialized medicine. Doctors lead comfortable lives, patients receive attentive care, employers grant extended health-related leaves -- all reasons the World Health Organization ranked France tops in its global 2000 survey of the best healthcare countries.
That the United States ranked only 37th on the WHO list, just two slots ahead of Cuba, particularly infuriates Moore: With more wealth and technology than any other country, we nevertheless have 50 million citizens without insurance, 9 million of them children. As "Sicko" anecdotally documents, many Americans eligible for insurance can't afford it, and a long inventory of preexisting conditions limits the insurability of those who can.<snip>
Among "Sicko's" villains are politicians who pocket millions from HMOs and pharmaceuticals while denouncing universal care as little better than a Communist plot. The film is particularly tough on Sen. Hillary Rodham Clinton (D.-N.Y.), once an advocate for universal care and now among the healthcare industry's biggest money recipients. (Moore says "Sicko" distributor Harvey Weinstein, a longtime friend and supporter of the Clintons, asked him to cut the sequence, but he refused.) To highlight the shortcomings of U.S. healthcare, Moore at one point in his film focuses on the plight of several chronically ill Sept. 11 rescue volunteers. Convinced that enemy combatant detainees receive better care in Guantanamo Bay than these national heroes do in the United States, Moore and the volunteers take a boat to Cuba. Despite its poverty, Moore says, Cuba's healthcare system is a model for the Third World.<snip>
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