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Robert Fisk: The true story of free speech in America
This systematic censorship of Middle East reality continues even in schools
...Not so, of course, most of America's torturers in Iraq. One of them turns out to rejoice in the name of Ric Fair, a "contract interrogator", who has bared his soul in the Washington Post - all praise, here, by the way to the Post - about his escapades in the Fallujah interrogation "facility" of the 82nd Airborne Division. Fair has been having nightmares about an Iraqi whom he deprived of sleep during questioning "by forcing him to stand in a corner and stripping him of his clothes". Now it is Fair who is deprived of sleep. "A man with no face stares at me ... pleads for help, but I'm afraid to move. He begins to cry. It s a pitiful sound, and it sickens me. He screams, but as I awaken, I realise the screams are mine."
Thank God, Fair didn't write a play about his experiences and offer it to Channel 4 whose executives got cold feet about The Mark of Cain, the drama about British army abuse in Basra. They quickly bought into the line that transmission of Tony Marchant's play might affect the now happy outcome of the far less riveting Iranian prison production of the Famous 15 "Servicepersons" - by angering the Muslim world with tales of how our boys in Basra beat up on the local Iraqis. As the reporter who first revealed the death of hotel worker Baha Mousa in British custody in Basra - I suppose we must always refer to his demise as "death" now that the soldiers present at his savage beating have been acquitted of murder - I can attest that Arab Muslims know all too well how gentle and refined our boys are during interrogation. It is we, the British at home, who are not supposed to believe in torture. The Iraqis know all about it - and who knew all about Mousa's fate long before I reported it for The Independent on Sunday.
Because it's really all about shutting the reality of the Middle East off from us. It's to prevent the British and American people from questioning the immoral and cruel and internationally illegal occupation of Muslim lands. And in the Land of the Free, this systematic censorship of Middle East reality continues even in the country's schools. Now the principal of a Connecticut high school has banned a play by pupils, based on the letters and words of US soldiers serving in Iraq. Entitled Voices in Conflict, Natalie Kropf, Seth Koproski, James Presson and their fellow pupils at Wilton High School compiled the reflections of soldiers and others - including a 19-year-old Wilton High graduate killed in Iraq - to create their own play. To no avail. The drama might hurt those "who had lost loved ones or who had individuals serving as we speak", proclaimed Timothy Canty, Wilton High's principal. And - my favourite line - Canty believed there was not enough rehearsal time to ensure the play would provide "a legitimate instructional experience for our students".
And of course, I can quite see Mr Canty's point. Students who have produced Arthur Miller's The Crucible were told by Mr Canty - whose own war experiences, if any, have gone unrecorded - that it wasn't their place to tell audiences what soldiers were thinking. The pupils of Wilton High are now being inundated with offers to perform at other venues. Personally, I think Mr Canty may have a point. He would do much better to encourage his students to perform Shakespeare's Titus Andronicus, a drama of massive violence, torture, rape, mutilation and honour killing. It would make Iraq perfectly explicable to the good people of Connecticut. A "legitimate instructional experience" if ever there was one.
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