Everyone is pretty whipped up about the release of
The Dark Knight, which
shattered Spiderman 3's record for largest first-weekend box-office draw over the weekend. Unlike Spiderman 3, The Dark Knight is actually a very entertaining film. Christopher Nolan's Batman franchise is darker, more serious, and, consequently more frightening. It also captures the psychological complexity of the titular character in a way that the more stylized vision of Tim Burton - not to mention the dreck produced by Joel Schumacher - never could.
Nolan's vision is inspired by the Golden Age Batman, who was a different breed altogether. Batman of the early 1940s, for example, shot people, tossed them off rooftops, and had few reservations about killing criminals. He menaced murderers, gangsters, and thugs, not overgrown graffiti artists. Early Gotham was a dark and scary place, the sort of place that might inspire people to, you know, dress up like a giant bat. So what happened? Why did the dark and menacing Batman of 1940s become the lame and tame Batman of the 1960s?
Much of it has to do with changing national mores and an evolving economic and social landscape. In this sense, Batman's story is a microcosm for what happened throughout the entire comic book industry during that period and, to a lesser extent, some of the changes that swept across the nation. One of the most important episodes in Batman's metamorphosis centered around the startling accusation that Batman and Robin were gay and might seed impressionable youths with homosexual fantasies. Silver Age Batman was indelibly shaped by the gendered expectations of the era and his failure to adhere to those expectations incited criticism, predictably, that called into question his sexual identity.
I always preferred Batman to Superman, largely because Batman, the central implausibility of his character aside, was psychologically interesting in a way that the bland Superman never was. Of course, my introduction to Batman was Frank Miller's
The Dark Knight Returns, a crucial revision of the Batman myth which imagined Batman as a psychologically scarred character inhabiting an increasingly savage world.
In contrast, most baby-boomers may be more likely to associate Batman with the campy, absurdist version of the late-1950s and 1960s best captured in the long-running television series. In the pages of
Detective in that era, Batman traveled through time, verbally sparred with "Batmite", and foiled countless plots to deface many of Gotham City's iconic landmarks. In other words, Silver Age Batman was a glorified boyscout, patrolling against vandalism - just like Superman without the awesome powers.
Outing the Caped Crusader
The accusation that Batman was a homo, as strange as it might sound to our own ears, was taken quite seriously by government and public alike. It wasn't leveled by a marginal nut or crank, but by a world-renowned psychiatrist,
Dr. Frederic Wertham.
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Click the link for the entire article. It discusses the comic book only but it covers how deep these thoughts and fears were, especially with the "comic books are corrupting the youth of America" meme of the 50s ... and some "interesting" images from the comic pages.
http://www.bilerico.com/2008/07/when_batman_was_gay.php