:thumbsdown: The furious furor ignited by the publication of cartoons was the result of a decision by a hate-wing Danish editor to deliberately challenge what he knew was a taboo-- with a cartoon contest.
Turmoil Over Cartoons Began Quietly Among Danes --By Kevin Sullivan, Washington Post Foreign Service
http://www.washingtonpost.com/wp-dyn/content/article/2006/02/07/AR2006020700499.html“Rose, culture editor of the Jyllands-Posten newspaper, suspected the art world was self-censoring out of fear of Islamic radicals. So he contacted 25 Danish newspaper cartoonists with a challenge: Draw Muhammad as you see him. Twelve responded, and the newspaper printed their submissions, including one that depicted Islam's holiest figure with a bomb in his turban.”
"We were astonished and extremely shocked," said Laban. One of Denmark's most prominent Muslim clerics, he said the faith's tradition forbids any depictions of Muhammad. He saw the crude drawings as the latest smear against Muslims in Denmark, a nation whose long history of tolerance has been tested in recent years by rising anti-immigrant sentiment.
:thumbsup: The NewsHour had a lucid discussion on the decisions of editors to print the cartoons or describe them instead.
CARTOON COVERAGE
http://www.pbs.org/newshour/bb/media/jan-june06/cartoon_2-9.htmlRobert Rosenthal, vice president and managing editor of the San Francisco Chronicle;
Geneva Overholser, a professor of journalism for the University of Missouri, and previously editor of the Des Moines Register and ombudsman at the Washington Post.
Robert Rosenthal, starting with you, you chose not to show the cartoons. Why not?
ROBERT ROSENTHAL: Well, we made a decision here that we felt we could describe it in words. And we also made an attempt on the first day to purchase the cartoon from the Danish newspaper ....... And by that time, we ran a picture of people in Europe looking at it, being the cartoons in a European newspaper. We also felt that the description in words worked. And at that point, it would have been, we felt, gratuitous to run it in the sense that the news story was breaking, it was out there, the reason for the rioting in the Muslim world was very clear. And we knew that some segments of our community would find it very offensive. It doesn't mean we haven't printed or published pictures in the past that we knew might offend people. But in this case, really the decision was made, that as I said, it was probably going to be a little gratuitous and that words were sufficient to describe what was really setting people off.
JEFFREY BROWN: Geneva Overholser, what do you see as the key issues here, and is this a lively debate in newsrooms across the country?
GENEVA OVERHOLSER: You know, we are talking here about the clash of two really important tenets. And one is that we, in journalism in this country believe in telling the truth, not letting anyone suppress the truth, being forthright, giving the reader or the viewer the full story. But the other tenet is this very profound Islamic view that you don't picture the Prophet Mohammed and certainly that you don't picture him in negative situations. And so, what an editor has to do, and this happens all the time, editors weigh, you know, I want to tell the truth and yet I don't want to offend gratuitously. So you have to think about how much truth-telling you can do here and how much harm you can do if you run the images.
<snip>
ROBERT ROSENTHAL: I think for most American audiences and our readers, they would look at this drawing, which we've all seen probably by now somewhere, and said, what is the big deal? I'm not sure that would have added to our knowledge of why people of the Muslim faith would be so offended.
:think: Both these comments express why I OP'd on the relevance --for the sake of discussion --of knowing about the prohibition on images of Mohammed. Some replies include great background information on this.
http://www.democraticunderground.com/discuss/duboard.php?az=show_mesg&forum=132&topic_id=2440485&mesg_id=2440485ROBERT ROSENTHAL: And what we tried to do with words is explain why this was offensive and talk to a lot of people, talk to Islamic experts, and wrote about why this was so explosive an issue in the context not only of their religion but also in the politics that are happening in terms of geopolitics. So I'm not sure that showing an American audience what this was, consulting some of your readers, would have made that much sense because I don't think most Americans would see anything wrong with this drawing. So that was also part of our discussion.
:eyes: We need to step back and look at "why this was so explosive an issue in the context not only of their religion but also in the politics that are happening in terms of geopolitics." And maybe ask why anyone would want to stand up in a very hot, crowded movie theater and yell,
"F...I....R....E!!!!!!!!!!" :nuke: