(Mods, this post is as much about censorship in art as anything.)http://www.boston.com/ae/theater_arts/articles/2006/10/15/review_rachel_corrie_an_uneven_work/In this photo provided by Barlow-Hartman Public Relations, Megan Dodds stars as the title character in ``My Name is Rachel Corrie,'' now playing at off-Broadway's Minetta Lane Theatre. (AP Photo/Barlow-Hartman Public Relations/Stephen Cummiskey)
Review: 'Rachel Corrie' an uneven workBy Michael Kuchwara, AP Drama Critic | October 15, 2006
NEW YORK --"My Name Is Rachel Corrie" is theatrically and politically earnest, an uneven scrapbook drama about an idealistic, some might say naive, young woman trying to do good against the backdrop of the swirling, seemingly insolvable Israeli-Palestinian conflict.
The play, which opened Sunday at off-Broadway's Minetta Lane Theatre, has arrived here with considerable non-theatrical baggage. Amid charges of censorship, a production planned for last spring by New York Theatre Workshop never happened. It subsequently was picked up for a limited run this fall by other producers.
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The play, a hit for London's Royal Court Theatre, was put together by British actor Alan Rickman (who also directs this production), and Katherine Viner, features editor of The Guardian newspaper in London. They drew on the diaries, letters and e-mails of Corrie, a 23-year-old activist from Olympia, Wash., who died when struck by an Israeli bulldozer in Gaza in March 2003 while trying to prevent Israelis from demolishing a Palestinian home. She had gone to the Middle East with the International Solidarity Movement.
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That passion comes through most forcefully late in the evening, in a raging e-mail Corrie types about the consequences of doing nothing: "It is my own selfishness and will to optimism that wants to believe that even people with a great deal of privilege don't just idly sit by and watch," she writes.
Rachel Corrie refused to just watch.
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