Ok, I'm showing my age here, but ...
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Love of Chair was a recurring sketch on the television program The Electric Company. It was seen primarily during the 1971–1972 season. The sketch was a parody of classic soap operas, and spoofed numerous aspects of these shows:
* The name of the sketch was based on the long-running TV soap opera Love of Life.
* The unseen announcer for the sketch was Ken Roberts, who at one time had been the announcer for Love of Life.
* The sketch featured background organ music similar in style to that of classic radio soap operas, including the use of dramatic strings during a key portion of the sketch.
Format
The scene was always set in a room with bare featureless walls and floors, and focused on the actions of a boy (played by Skip Hinnant dressed as a pre-teenaged child). In the early sketches, the only other visible object in the room was a simple wooden chair; later sketches occasionally included one or two additional inanimate objects, but the chair would always be visible in the shot during each sketch. During the regular sketches, the boy never spoke; the only voice heard was that of the off-screen announcer.
The format of each sketch was very simple, and showed very little variation over the course of the first season (with the notable exception of the final episode): After a very brief introduction (featuring a title card for the sketch) ("It's time once again for everybody's favorite soap opera Love of Chair! As our story begins (sometimes "When we last met the boy,"), the boy is sitting"), the shot would open on the boy in the room, with quiet organ music playing in the background. Initially the boy would hold himself absolutely still while looking off-camera. After a moment's pause, the boy would move and/or perform a simple action (e.g. Stand up, sit down, pick up the chair, etc.) and stop again. While the boy was motionless, the unseen announcer would use a short phrase to describe the boy's most recent action in the style of the old Dick and Jane primers, and in a dramatic tone of voice ("The boy stands up!"). After the announcer had completed this description, the boy would perform another movement or action, and would pause again while the announcer described that action.
After the boy had performed several actions and the announcer had described all of them, the background music became much more dramatic and the camera would zoom in on the motionless boy. The announcer would ask several rhetorical questions about what might happen to the boy and the chair, again in a very dramatic tone of voice: "Will the boy stand up again? Will the chair break?"
The announcer's final question (punctuated with a sting of organ music) was always ”And...what about Naomi?“ The announcer would then state, “For the answer to these and other questions”—The image would then briefly jump-cut outside of the featureless room to one of the other cast members of The Electric Company asking a quick non-sequitur (e.g, "What time is it?" “Is this a rerun?” "How do you get to Carnegie Hall?"). The image would then jump-cut back to the room with the boy and the chair, with the announcer (apparently unaware of the interruption) concluding, "Tune in tomorrow for Love of Chair!"
A live-action shot of the boy sitting perfectly still on the chair served as the background for the Friday closing credits during the first season.
Naomi
The Naomi mentioned in the segment refers to Naomi Foner, who was a producer on the show during the first two seasons and is the mother of actress Maggie Gyllenhaal and actor Jake Gyllenhaal.
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http://en.wikipedia.org/wiki/Love_Of_Chair
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