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ALago1 Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:31 PM
Original message
Convince me J.S. Bach isn't the greatest composer ever
Go on, I dare you...

:)
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populistmom Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:32 PM
Response to Original message
1. I'm not sure about that
"Greatest" is subjective, but I have heard from musicians that Bach is the most difficult to play.
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Dookus Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:32 PM
Response to Original message
2. too tinkly...
I like a little bombast in my music. Ludwig van, baby!
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WillyBrandt Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:33 PM
Response to Original message
3. Who wrote the Requiem? Not that bum Bach.
It was the Master Mozart.
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Rabrrrrrr Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:39 AM
Response to Reply #3
43. Mozart's Requiem is CRAP
compared to Berlioz or Durufle or Penderecki's Polish Requiem (or my own requiem) or Faure or even, dare I say it, Verdi's.

Not that Mozart's isn't exceptional - it is. It might even be the best thing he wrote. But come on, requiems really need the romatic nd post-romantic sensibility to truly "pop" as requiems, in my opinion.

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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:50 AM
Response to Reply #43
48. Poppycock
Had Mighty Mo finished his Requiem, it would have been one for the ages. As it is, it's like the Venus de Milo or some of the Elgin Marbles, a fabulous, though broken, work of art. I've heard the Requiem performed using only what Mozart actually wrote, and I think that's the only way it should be done. Nobody would glue arms onto Venus, same goes for the Requiem.

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BeatleBoot Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:34 PM
Response to Original message
4. Love Hungarian Dance #5
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I AM SPARTACUS Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:35 PM
Response to Original message
5. I dunno...Crisco Johnny's making his move...


Heritage Foundation Patriotic Music Collection

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Burma Jones Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:35 PM
Response to Original message
6. First, please define the Objective Criteria by which we will
measure greatest-ness.

I think he is among the three greatest, the other two being Mozart and Beethoven. If all you like is Baroque music, then you are probably roght as far as yout taste is concerned. My taste in Orchestral music stretches through the Romantic period.
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ALago1 Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:40 PM
Response to Reply #6
9. I realize...
...that there is a huge amount of room for individual tastes.

As the above posters have mentioned, some like different composers for different reasons.

I like Bach because he writes music that is inordinately complex yet still hangs together in a way that makes a piece a beautiful cohesive whole.

I get lost and frustrated listening to some of Mozart and Beethoven (yet not as much with Ludwig...) because they sometimes seem to go off on tangents that never amplify or give cohesiveness to the piece as a whole
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Blayde Starrfyre Donating Member (428 posts) Send PM | Profile | Ignore Mon Feb-23-04 09:35 PM
Response to Original message
7. Pishaw
Duke Ellington. Bach couldn't rock like the Duke.

OK, maybe not, but he is the greatest American composer.
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BlackVelvetElvis Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:06 PM
Response to Reply #7
20. Bach not only rocks, he swings!
Edited on Mon Feb-23-04 10:09 PM by BlackVelvetElvis
Listen to the extremely lively interpretation (and at times mournful, but always sublime) of the Brandenburg Concertos by the Boston Baroque.
I can't prove (or disprove) Bach was the greatest. Impossible task, but he wrote music that was laden with rules and shown unending creativity within those rules.
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Rabrrrrrr Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:41 AM
Response to Reply #20
44. And this musician will be so bold as to say, Bach invented jazz
centuries before jazz was invented.

Bach's music is very jazzy, and gorgeous and beautiful and SO much fun to perform.
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Screaming Lord Byron Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:36 PM
Response to Original message
8. Is he Brian Wilson?
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ALago1 Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:02 PM
Response to Reply #8
17. I'm not hatin on Brian Wilson
But I don't think he's in the same league as the greats (Bach,Beethoven, Mozart, etc.)
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Screaming Lord Byron Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:28 PM
Response to Reply #17
25. It's all perceptive. To me he is, but then I think 'Louie Louie'
is trancendental.
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Rabrrrrrr Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:57 AM
Response to Reply #8
52. No, he's not. Bach understood music,
and did something creative and interesting with it.

Wilson *almost* did, but decided instead to be a pop surf "musician"
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Lydia Leftcoast Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:46 PM
Response to Original message
10. His vocal writing is certainly amazing
I'm in a choir that will be doing the B Minor Mass in a few weeks, and the vocal parts are really complex and vocally challenging. I am impressed at how he was able to write these five-part fugues with instrumental accompaniment.

I'm also blown away by the St. Matthew Passion, and I hope to be able to sing it some day.
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pagerbear Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:52 PM
Response to Reply #10
12. YES!
I think the B-minor and St. Matthew are the greatest accomplishments in western music. Well, that and Mozart's C-minor mass. And the Verdi Requiem. And....
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Snow Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:49 PM
Response to Reply #12
34. And Rachmaninoff's Vespers,
and yes, I agree with the rest, as well. Have any of you sung Bach's Motets? There're 11 of them, they're beautiful, and they're some of the toughest singing I've ever done.
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ALago1 Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:53 PM
Response to Reply #10
13. Wow
I'm impressed that you are a member of a choir performing such works!

Congrats! :)
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Lydia Leftcoast Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:28 PM
Response to Reply #13
26. And I am increasingly glad to be a SECOND soprano
so that I don't have to spend all that time doing sixteenth-note runs above the treble clef like the first sopranos do. :-)
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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:33 PM
Response to Reply #26
30. I did it as a tenor. First tenor.
Yaaak! I still don't know how I did it! I only sing in church choir now, as a bass. Much more relaxing that way.

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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:01 PM
Response to Reply #10
16. I've sung the Mass, the Magnificat,
the Xmas Oratorio, and some motets and cantatas, and you ain't kidding they're challenging. Whew! Difficult, but very singable, too. Bach beats Beethoven in this respect, Beethoven is simply a bitch to sing. Then there's Verdi's Requiem, ahhhh that Joe Green could sure write for the voice.

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Snow Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:52 PM
Response to Reply #16
35. Well, yeah, but the basses have to boom forth on the Tuba verum
and the daggone tuba is up front drowning us out. Verdi overdid the brass in some places, IMHO. But the Libera Me in Verdi's requiem is wonderful (and the confutatis if you're a soloist of bassly persuasion).
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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:32 AM
Response to Reply #35
39. Hmm, I've done it twice
Both times the tenors sang along at that spot, seemed to help a great deal.

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Snow Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 04:24 PM
Response to Reply #39
57. That's an outstanding idea - that stretch is reasonably high in my
range, so the tenors can probably handle it no problem. Part of it is stage arrangment, too - the chorus is behind the orchestra; the tuba sits at the front of the stage, like behind the second violins....
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banana republican Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:48 PM
Response to Original message
11. MOODY BLUES RULES
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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 09:57 PM
Response to Original message
14. Sorry, that distinction belongs to Beethoven
Nobody stirred the pot like Ludwig. Admit it, Bach may have perfected the Baroque style, but he never ever stepped outside it for even a millisecond. By this, I also consider Monteverdi to be greater than Bach.

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Lydia Leftcoast Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:01 PM
Response to Reply #14
15. I love Monteverdi, too
I've said that it sounds as if he channeled the angels.
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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:04 PM
Response to Reply #15
19. He's probably my favorite
I've only ever sung a little of his stuff, alas. What litle bit there was was ecstacy, though, I still hum bits although it was 25 years ago.

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LastKnight Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:03 PM
Response to Original message
18. I prefer Joseph Haydn nt
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BlackVelvetElvis Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:10 PM
Response to Reply #18
21. Another Haydn fan?!?
Oh yes!!
What's your favorite piece?
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LastKnight Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:24 PM
Response to Reply #21
23. the farewell symphony
probably not the most popular, but i just like the gradual fade out thing.

-LK
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BlackVelvetElvis Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:29 PM
Response to Reply #23
27. Good one-one of mine too.
I have all 104 of his symphonies and am working on the rest.
I love the Cello concerto in C.
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LastKnight Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:31 PM
Response to Reply #27
29. im currently up for the part of...
the last violin to fade out in hadyn's farewell, and i pretty much have it in the bag... only a highschool orchestra, not like its a big symphony, but still, its my favorite piece were playing this year.

-LK
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BlackVelvetElvis Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:34 PM
Response to Reply #29
31. Good luck with it.
It's very effective in concert.
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LastKnight Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:34 PM
Response to Reply #31
32. thanks, the 6 sharps are a beast though. nt
Edited on Mon Feb-23-04 10:53 PM by LastKnight
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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:42 AM
Response to Reply #31
45. I lived in Victoria, BC many years ago
Edited on Tue Feb-24-04 12:42 AM by ironflange
The local symphony was in big money trouble, so for one concert they did the Farewell. It was great, except the conductor also left the stage at the very end, and the laughter drowned out the ending. No matter, it was a great show.

That symphony deserves fame not just for the ending, Haydn poured some of his very best Sturm und Drang into the whole thing.

Edit: The orchestra survived.
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BlackVelvetElvis Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:53 AM
Response to Reply #45
50. Ouch.
I sincerely hope your orchestra does a great job on this sweet piece.
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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:27 PM
Response to Reply #21
24. I very much like Haydn, too
Favorite symphonies: 22, 26, 44, 46, 52, 70, 82, 102. Especially 44.

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BlackVelvetElvis Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:40 PM
Response to Reply #24
33. All those are excellent choices
I had to refresh myself on a couple of those. "Oh yeah, that's a good one" again and again when I sampled them.
I have a video of Lenny Bernstein's "Young People's Concerts" and the orchestra plays the finale of 102 as the primo example of a musical joke. What fun!
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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:36 AM
Response to Reply #33
41. #70 is one of his most neato pieces
Bludgeoning opening, sinuous slow movt, galumphing minuet, and that weird contrapuntal minor-key finale. I really think Haydn doesn't get the respect he deserves.

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BlackVelvetElvis Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:47 AM
Response to Reply #41
46. I'm listening to #70 now
great description, BTW.
I agree with your statement about J. Haydn not getting the respect he deserves.
It's amazing to me that Haydn was mostly self taught, with very little musical education outside of childhood, and yet he rose to the pinnacle of fame in Europe in his lifetime. He made it happen.
Plus his music is deeper and more sophisticated than people give him credit for.
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ironflange Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:23 PM
Response to Original message
22. Here's a funny story about the B Minor Mass
Many years ago, I was a member of the Calgary Philharmonic Chamber Choir, and we were going through final rehearsals for the B Minor. We were practising it in the rehearsal hall one evening, while the hypnotist Reveen was doing a show in the adjacent hall. We were clattering away in the Gloria or something, when a strange little wild-haired man in a tux appeared at the door. Turns out he was Reveen's stage manager. He yelled, "STOP MAKING SO MUCH NOISE!" The conductor, an extremeley temperamental Hungarian named Arpad Joo, said, "Who are you?" Tux said "I"M ME!! AND I TOLD YOU TO BE QUIET!!!" At this, Arpad turned to the band and choir and quietly said, "Number 17." That's the Et Resurrexit. After a few seconds of this, Tux rushed the podium, but the brass section cut him off, grabbed him, and dragged him out kicking and screaming. You should have seen how they were puffing out their feathers when they came back, probably the first tough guy thing they'd ever done. Turned out we were getting noisy while Reveen was putting the audience members under, and they only needed a few minutes of quiet. We worked on the softer bits for a while, and all was well. Anyway, all the little guy had to do was ask nicely! Still, he must have felt like the man in the cartoon who knocks on the apartment door of the noisy next-door neighbor, only to find a full orchestra and choir in there.

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slack Donating Member (250 posts) Send PM | Profile | Ignore Mon Feb-23-04 10:31 PM
Response to Original message
28. I prefer Beethoven
but Bach is ok. The funny thing about Bach is, you can listen his music backwards, he was mathematician. I tried it, really funny.
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BlackVelvetElvis Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 10:56 PM
Response to Reply #28
36. Bach's "Crab Cannon" anyone?
I am in no way mathematical, but I feel a mathematical switch go off in my brain when I listen to his music.
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joeybee12 Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 11:06 PM
Response to Original message
37. All you have to do is listen to any of Antonin Dvorak's works...
...and I'll have convinced you!
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LastKnight Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:35 AM
Response to Reply #37
40. Dvorak is a talented man.
very good music.

-LK
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St. Jarvitude Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Feb-23-04 11:09 PM
Response to Original message
38. Elgar is my favorite
A wide variety of pieces, from the powerful imagery of his famous Enigma to his breathtaking Cello Concerto in E Minor (Op. 85).

Bach is certainly my favorite composer to play. I'm working on a performance of his Cello Unaccompanied Suite No. 2 right now, in fact (complete with my own bowings and dynamics).
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Goldberg Donating Member (363 posts) Send PM | Profile | Ignore Tue Feb-24-04 12:37 AM
Response to Original message
42. That's tough...
I don't think I could do it, just for the fact that I agree with you.

Beethoven is a very very close second. I love his sonatas.
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aldian159 Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:48 AM
Response to Original message
47. Mozart
He wrote everything. Opera, concerto, symphony. Wolfgang rocked.
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SilasSoule Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:53 AM
Response to Original message
49. My P.C. wakes me up each morning by playing an MP3
Edited on Tue Feb-24-04 12:53 AM by SilasSoule
of the little fugue in G Minor.

You have very adequetaley expressed my own sentiments of JSB.
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trackfan Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 12:56 AM
Response to Original message
51. I'm a Brahms fan
and he certainly was a master of counterpoint, and, as such, a student of the works of Bach. In fact a certain line of contrapunctal master can be drawn from Bach to Bramhms to Reger to Hindemith. Schoenberg also expressed much indebtedness to Brahms, notably in his famous article "Brahms the Progessive".
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Bake Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 01:29 AM
Response to Original message
53. Well, there's Handel's Messiah, or Chopin
I'm awfully fond of Chopin, especially the Grand Waltz Brilliante, but maybe because that's what my beautiful wife plays for me on the piano ... and I miss her!!

I took her to Chopin's grave in the cemetary in Paris ... it was pretty cool. OF course, Jim Morrison had a spot there too (but the family moved the Lizard King, from what I understand).

Bake
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saltpoint Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 01:48 AM
Response to Original message
54. If it's going to be Bach, then give me --
-- the b-flat minor Prelude and Fugue.

A beautiful piece.
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Ediacara Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 01:52 AM
Response to Original message
55. Everything he wrote sounds the same
it's easy to write 10,000 variations of the same song...
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pippin Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Feb-24-04 02:35 AM
Response to Reply #55
56. You must be mixing him up with Vivaldi!
Bach was and is divine! His unaccompanied cello suite is sublime. He was pretty much forgotten by the way afer his death till composers like Mendelssohn and Chopin unearthed him. Who knows how long he would have remained forgotten were it not for this re-discovery. Ofcourse some composers should remain unexhumed--thinking mostly about Pachabel who was unearthed in the 70's and we now have to put with his dreadful canon that's played ad nauseam.



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