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But it's been a long time. (I think my first wife ran off with my copy. There was a lot of stuff that went missing when she left.)
From what I remember of it, I think it would now strike me as kinda quaint. I've heard a lot of more threatening noise since then :-) especially the stuff from Japan and Germany, not to mention the guys Reed himself claimed as influences: LaMonte Young, Iannis Xenakis, etc. (I would add Cage and Gordon Mumma among others.)
Did I mention that I once got Reed to explain to me exactly how he did it? It got published in the '80s in a zine called Browbeat. If there's enough interest I'll try and dig up a copy.
My favorite MMM story involves Thurston Moore of Sonic Youth. He participated in a "blindfold test," where he agreed to listen to a bunch of unidentified music and react to it for publication. One of the selections was a bit of MMM. He identified it immediately, not just that it was MMM but that it was the beginning of side 3. (Of course that's the funky side.)
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