Speaking at the American Film Renaissance's small opening-night reception at the Dallas Intercontinental last Friday, the right-wing film critic Michael Medved claimed that "the huge success of 'The Passion of the Christ' has changed Western culture permanently and forever." He's simply stunned, he said, that Hollywood wasn't trying to cash in on the shift.
"What is it about one of the most profitable movies in history that they don't understand?" he asked, as a crowd of about 50 festival-goers nibbled miniature roast beef sandwiches, spring rolls and empanadas. "There is something wrong here! There is a very real problem! The problem is not that people objected to the movie because it was anti-Jewish" -- indeed, he said, the charges of anti-Semitism were "sick, twisted and demagogic."
"They opposed it not because it was anti-Jewish," he said, "but because it was pro-Christian."
Like so many of the people at the inaugural American Film Renaissance festival, Medved spoke with an easygoing Rotary Club ordinariness that belied the seething anger underneath. There was none of Zell Miller's fire and brimstone in his voice as he blandly called for more demeaning portrayals of gay people in the mass media, saying, "Every single image of homosexuality you see on TV is positive. It's not only positive, it's glowing. It's saintly. When was the last time you saw a nasty gay character? A degraded gay character?"
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