by Tom Engelhardt | Asia TimesWhen, in April 1937, the German Condor Legion dropped 45,000 kilograms of explosives on the Spanish town of Guernica, international outrage followed, and Pablo Picasso was inspired to paint his now famous Guernica. When the US Air Force recently loosed 45,000 kilograms of bombs on a small Sunni farming district in Iraq, there was hardly a peep. These days, only "insurgent" suicide bombings warrant media attention, while the US's air "surge" is politely played down.
...
As Josh White of the Washington Post reported recently in a relatively rare (and bland) summary piece on the use of air power in Iraq, there were five times as many US air strikes in 2007 as in 2006; and 2008 has, of course, started off with a literal bang from those 45,000 kilograms of explosives dropped southeast of Baghdad. That poundage assumedly includes the 18,000 kilograms of explosives, which got modest headlines for being delivered in a mere 10 minutes in the Arab Jabour area the previous week, but not the 7,200 kilograms of explosives that White reports being used north of Baghdad in approximately the same period; nor, evidently, another 6,800 kilograms of explosives dropped on Arab Jabour more recently. (And none of these numbers seem to include US Marine Corps figures for Iraq, which have evidently not been released.)
American military spokespeople and administration officials have, over the years, decried Iraqi and Afghan insurgents for "hiding" behind civilian populations - in essence, accusing them of both immorality and cowardice. When such spokespeople do admit to inflicting "collateral damage" on civilian populations, they regularly blame the guerrillas for making civilians into "shields". And all of this is regularly, dutifully reported in the US press.
The air war is simply not visible to most Americans who depend on the mainstream media. In part, this is because American reporters, who have covered every other sort of warfare in Iraq, simply refuse to look up.
...
Maybe, sooner or later, American mainstream journalists in Iraq (and editors back in the US) will actually look up, notice those contrails in the skies, register those "precision" bombs and missiles landing, and consider whether it really is a ho-hum, no-news period when the US Air Force looses 45,000 kilograms of explosives on a farming district on the edge of Baghdad. Maybe artists will once again begin pouring their outrage over the very nature of air war into works of art, at least one of which will become iconic, and travel the world reminding us just what, almost five years later, the "liberation" of Iraq has really meant for Iraqis.