in the NYTimes a while ago
http://www.nytimes.com/2006/07/19/arts/design/19draw.html"We’re addicted to convenience today. Cellphone cameras are handy, but they’re also the equivalent of fast-food meals. Their ubiquity has multiplied our distance from drawing as a measure of self-worth and a practical tool. Before box cameras became universal a century or so ago, people drew for pleasure but also because it was the best way to preserve a cherished sight, a memory, just as people played an instrument or sang if they wanted to hear music at home because there were no record players or radios. Amateurism was a virtue, and the time and effort entailed in learning to draw, as with playing the piano, enhanced its desirability.
<snip>
Something happened between then and now, and it wasn’t just the invention of gadgets that eliminated the need to draw.
There was also a philosophical change, away from drawing as a practical endeavor and toward art appreciation. From dexterity and discipline to feelings and self-esteem: the shift in values is implied by some of the later books in the show. Consciously or not, they parallel changes in modern art, which threw out the rule books of draftsmanship and proposed a new, free-thinking attitude.
As for expending effort to become skilled at drawing, the post-Cooke postwar generation introduced Paint by Numbers, and the situation has gone downhill from there.
<snip>
So it is with classical music, painting and drawing, professional renditions of which are now so widely available that most people probably can’t or don’t imagine there’s any point in bothering to do these things themselves. Communities of amateurs still thrive, but they are self-selecting groups. A vast majority of society seems to presume that culture is something specialists produce."
Our culture has become something we consume instead of produce. In the 1890's, when Shakespearean theater companies toured the West, the townspeople and cowboys would call out the dialogue along with the actors; they knew the plays that well (and had probably taken part in amateur theatricals, as well). Hardly seems very likely now.