On May 11, one day after US marines conducted their last patrol into Fallujah following their decision to pull back and hand over to a Fallujah Brigade after a bloody month-long siege, hundreds of dignitaries gathered under a long tent in the city 50 kilometers west of Baghdad for a poetry celebration organized by the National Front of Iraqi Intellectuals.
It was staged in front of the unfinished Rahma Hospital, and a podium was placed on top of the rough gray stairs at the hospital's entrance, with the front's emblem and Iraqi flags draped on the podium. Tall columns and arches framed the background. Graffiti on the walls of the hospital read, "Long live the mujahideen and the loved ones of Mohammed", "Victory is Fallujah's and defeat for the infidel America" and "the Fallujah martyrs are the lights for the way to the complete liberation of Iraq".
Clerics resplendent in their turbans, tribal leaders wearing white kafiyas, or headscarves, businessmen, military and police officers and men in Ba'athist-style matching solid-color open-collar shirts and pants called "safari suits" sat on plastic chairs under a long tent shading them from the noonday sun. Banners hung on the sides of the tent and walls of the hospital made clear the sentiments of the moment: "All of Fallujah's neighborhoods bear witness to its heroism, steadfastness and virtue", "The stand of Fallujah is the truest expression of the Iraqi identity", "Fallujah, castle of steadfastness and pride" and "The martyrs of Fallujah, Najaf, Kufa and Basra are the pole of the flag that says God is great".
Above the podium, tough-looking men wearing sunglasses and grimaces looked down on the crowd. A banner above them described the event as a poetry festival to support Fallujah against the occupation. Cans of soft drinks and bottles of water were provided for the honored guests.
"Hey Fallujah," called one poet, "when I wrote my poem you were the most beautiful verse inside it and without your stand I could not raise my head again." Another poet, with the strong accent of Shi'ite southern Iraq, declared: "Fallujah is full of real men." Bridging the Sunni-Shi'ite divide, he referred to the important Shi'ite martyr Hussein, who is venerated for defying Sunni tyranny: "From the 'no' of Hussein Fallujah learned so much." He continued that just as "Hussein was supported by 70 of his followers, we have to be like his followers and end the internal strife ... I have a brave friend from Fallujah and I came from Karbala." He led the audience in chants and hand-clapping, calling for unity between Sunnis and Shi'ites.
Another Shi'ite poet from Baghdad, Falah al-Fatlawi, declared that radical Shi'ite cleric Muqtada al-Sadr's Army of the Mahdi militia "awoke for Fallujah, and Sadr's voice from Najaf" declared the value of Fallujah. "We will never sell it," he said, "people sacrificed their spirit for Fallujah, one heart, one line, Sunni and Shi'ite for Fallujah!" Mohammed Khalil Kawkaz recited a poem called "The Fallujah Tragedy" in a barely intelligible local accent. "Fallujah is a tall date palm," he said. "She never accepts anybody touching her dates, she will shoot arrows into the eyes of those who try to taste her, this is Fallujah, your bride, oh Euphrates! She will never fall in love with anyone but you ... Americans dug in the ground and pulled out the roots of the date palm."
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