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Thu Apr 18, 2013, 04:42 PM Apr 2013

Ego-theism: The Rise of the Non-Denominational, Secularly Religious American Novel

The American novel was once inseparable from proselytizing. How did it become the anticlerical, ego-theistic fiction of today? Cultural historian Philip F. Gura, whose new book, Truth's Ragged Edge, traces the early history of the first American novels, looks at the evolution.

Apr 18, 2013 2:47 PM EDT

In the 1850s a reviewer for the Philadelphia Graham’s Magazine, intending merely to comment on the ubiquity and variety of the novel in America, revealed the assumption at the time that novels were didactic. He wrote that there are “political novels—representing every variety of political opinion—religious novels, to push the doctrine of every religious sect—philanthropic novels, devoted to the championship of every reform—socialist novels … philosophical novels [and] metaphysical novels.” Given Paul Elie’s recent lament in The New York Times Book Review that contemporary fiction seems to have lost its faith, this 19th-century assumption is significant. Many early American novelists once took as their primary concern the role of religious belief in a modernizing nation. This may not surprise us. What should is that even novelists writing from a secular vantage assumed that novel writing was analogous to proselytizing.

The early 19th century was characterized by major transformations of traditional patterns of belief. In 1800 the overwhelming majority of Americans defined themselves as subjects of a distant, all-powerful God. A quarter century later, as the secular, republican beliefs of the revolutionary generation took deeper root, religious belief moved hesitantly and not without conflict toward the idea of free will. Then, in the two decades prior to the Civil War, there occurred a momentous shift from free will to self-consciousness. As Emerson put it, “the mind became aware of itself.” To him, to like-minded contemporaries, and to many if not most Americans since, the once-accepted notion that a person should spend his time on earth building his Christian character was obsolete. Instead, each American should spend his days cultivating his individualism, his selfhood.

As it developed, the American novel embodied these monumental changes in belief and consciousness. At the start of the century, novelists often took religious tracts as the models for their fiction. These were short allegories and parables aimed at the pious Christian that circulated widely due to enterprising clergymen and the advent of new publishing technologies. Sarah Savage’s Factory Girl (1814), one of the first novels set in a manufacturing village, made a statement about the rewards of patient and pious suffering that would have resonated with readers of religious tracts. Adjusting to life in the new environment of the manufacturing village, the saintly Mary Burnham catches the eye of one of the male workers and soon is engaged. But when she returns home to care for an ailing relative, he breaks the engagement and marries someone else. Mary is despondent, but her Christian piety finally brings her happiness, in the form of the right husband, the good Mr. Danforth, whose wife she had nursed through a fatal illness.

As secular and more fully realized novels began to arrive from Europe, American writers borrowed their structure and tone but infused them with their own theological preoccupations. The novel in this country emerged as a place not only of religious ideas but as a means of religious dispute. The central contest was between older forms of religious duty and the newer belief in self-reliance, which mirrored the larger one in American life between civic duty and individualism. For instance, Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852) and Maria Cummins’ wildly popular The Lamplighter (1854), whose main character, Gerty, inspired millions of readers to emulate her Christian humility, epitomized the religious but nondenominational social concern of many early 19th century American novels.

http://www.thedailybeast.com/articles/2013/04/18/ego-theism-the-rise-of-the-non-denominational-secularly-religious-american-novel.html

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