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Kind of Blue

(8,709 posts)
Sat Apr 6, 2019, 07:04 PM Apr 2019

1959 The Year that Changed Jazz

"1959 was the seismic year jazz broke away from complex bebop music to new forms, allowing soloists unprecedented freedom to explore and express. It was also a pivotal year for America: the nation was finding its groove, enjoying undreamt-of freedom and wealth social, racial and upheavals were just around the corner and jazz was ahead of the curve.

Four major jazz albums were made, each a high watermark for the artists and a powerful reflection of the times. Each opened up dramatic new possibilities for jazz which continue to be felt Miles Davis Kind of Blue Dave Brubeck, Time Out Charles Mingus, Mingus Ah Um; and Ornette Coleman, The Shape of Jazz to Come.

Rarely seen archive performances help vibrantly bring the era to life and explore what made these albums vital both in 1959 and the 50 years since."
60 years actually.

"The program contains interviews with Lou Reed, Dave Brubeck, Ornette Coleman, Charlie Haden, Herbie Hancock, Joe Morello (Brubecks drummer) and Jimmy Cobb (the only surviving member of Miles band) along with a host of jazz movers and shakers from the 50s and beyond."


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1959 The Year that Changed Jazz (Original Post) Kind of Blue Apr 2019 OP
'59-'61 was just an absolute explosion in jazz Recursion Apr 2019 #1
Thanks, Recursion. I had to look him up. Kind of Blue Apr 2019 #3
From that period: check Ornette Coleman's "Free Jazz" Recursion Apr 2019 #6
I sure will! Kind of Blue Apr 2019 #15
The Dave Brubeck Quartet - Time Out elleng Apr 2019 #2
Thank you, Dear! I was trying to find the incredible Kind of Blue Apr 2019 #4
Nice story. elleng Apr 2019 #5
Beautiful. Thank you for making my day. I miss those greats so much. erronis Apr 2019 #7
I miss them, too. I remember a time Kind of Blue Apr 2019 #11
Brilliant work by brilliant artists. Paladin Apr 2019 #8
Me to, Paladin. Kind of Blue Apr 2019 #12
ditto. those are my two favorite jazz albums NatBurner Jul 2019 #22
Kicked and recommended. Uncle Joe Apr 2019 #9
You're very welcome, Uncle Joe! Kind of Blue Apr 2019 #13
I still have KIND OF BLUE... pangaia Apr 2019 #10
I couldn't believe it, either. Kind of Blue Apr 2019 #14
Should be 5 albums... LudwigPastorius Apr 2019 #16
I agree, LudwigPastorius, that "Giant Steps" is the 5th monumental Kind of Blue Apr 2019 #17
I haven't seen 'The Cry of Jazz'. LudwigPastorius Apr 2019 #18
At your leisure... Kind of Blue Apr 2019 #19
Great post, thank you! Anon-C Apr 2019 #20
You're so welcome, Anon-C! Kind of Blue Apr 2019 #21

Kind of Blue

(8,709 posts)
3. Thanks, Recursion. I had to look him up.
Sat Apr 6, 2019, 07:15 PM
Apr 2019

It's fantastic to me knowing that he was the bassist for the Bill Evans Trio. I adore Evans but now will pay particular attention to LaFargo.

Recursion

(56,582 posts)
6. From that period: check Ornette Coleman's "Free Jazz"
Sat Apr 6, 2019, 08:11 PM
Apr 2019

LaFaro is the bassist on the right-hand channel.

Kind of Blue

(8,709 posts)
4. Thank you, Dear! I was trying to find the incredible
Sat Apr 6, 2019, 07:37 PM
Apr 2019

PBS Brubeck documentary of a few years ago. But it seems like PBS has gotten a little stingy to include even a clip of it at their site. The doc was produced while Brubeck was alive so it was wonderful for me hearing him speak of Miles Davis, and that he actually started the practice of college tours when he couldn't get booking anywhere.

Got a cool Brubeck story. Back in the '60s/'70s, my late mother-in-law was the secretary in the music department at Palomar College here in North County, San Diego. Her boss was Howard Brubeck, Dave's older brother. And the theater at Palomar is named for him, The Howard Brubeck Theater. She left when he retired in the '70s.

She would always hold her hands in a prayer position and squeeze her shoulders together when she'd talk about Dave's visits. So cute! She loved the brothers to pieces.

Rediscovering Dave https://www.pbs.org/brubeck/talking/talkingWithDaveBrubeck.htm


erronis

(14,942 posts)
7. Beautiful. Thank you for making my day. I miss those greats so much.
Sat Apr 6, 2019, 08:29 PM
Apr 2019

It seems there is always a fallow period followed by some breakout new music. I'm looking forward (and backward).

Kind of Blue

(8,709 posts)
11. I miss them, too. I remember a time
Sat Apr 6, 2019, 09:47 PM
Apr 2019

when everybody was alive. Louis Armstrong, Duke Ellington, Dizzy Gillespie to name a few.

In looking forward and backward, in the short documentary of the same year "The Cry of Jazz, 1959," one of the young musicians exclaims "Jazz is dead" in response to the future of jazz. It's about at 1:38. I remember reading that the statement was very controversial at the time. Eerily to me, another innovation in jazz was just about to drop.

pangaia

(24,324 posts)
10. I still have KIND OF BLUE...
Sat Apr 6, 2019, 09:24 PM
Apr 2019

I was 16 at the time.

"All but one of the tracks were first takes."

HOLY COW !!!!!!!!!!!

Kind of Blue

(8,709 posts)
14. I couldn't believe it, either.
Sat Apr 6, 2019, 09:52 PM
Apr 2019

I remember seeing some photos of the session and all of the musicians look so serious. I don't think I saw a pic of any of them smiling. So I thought this album must have taken forever to get just right.

Holy Cow, one take!

LudwigPastorius

(8,943 posts)
16. Should be 5 albums...
Sat Apr 6, 2019, 10:10 PM
Apr 2019

Parts of the "Giant Steps" album (including the title track) were being recorded the same day as "Mingus Ah Um".
Coltrane started recording it just two weeks after he participated in the "Kind of Blue" sessions with Miles, and it couldn't have been further from what Miles was doing.

The fact that Atlantic didn't release "Giant Steps" until 1960 doesn't make it any less a 1959 album...at least in my opinion.

It was just as pivotal as the other four because it was a transitional album that pointed to an organized way for an improviser to go "outside" the chord changes without completely abandoning them, as Ornette was doing. After "Giant Steps", Coltrane quickly realized that the rhythm section didn't need to pound out all of the "Trane changes" that made up a lot of the harmonic material on the album. Coltrane quickly moved toward simplifying the harmony of the piano and bass, leaving him to play his chord substitutions on top of them. This created the sound that he was playing outside, but with logical harmonic intent.

So, while technically not a 1959 release, "Giant Steps" was being created at the same time, and was equally as important, as the four albums mentioned in the documentary.

Kind of Blue

(8,709 posts)
17. I agree, LudwigPastorius, that "Giant Steps" is the 5th monumental
Sun Apr 7, 2019, 12:34 PM
Apr 2019

album of 1959. But I don't think it's a coincidence "The Cry of Jazz, 1959" semi-doc was selected for preservation by the National Film Registry in 2010 and "1959: The Year that Change Jazz" came out the same year. I think someone remembered the highly controversial Jazz is Dead statement and discussion in "The Cry." It caused an uproar and divided intellectuals from Ralph Ellison to young LeRoi Jones (Amir Baraka) at the time.

I feel "1959: The Year" was in reaction to the "The Cry" about to hit the National Archives and the producers wanted to keep the time-line constrained to the same year to prove jazz was far from dead.

If that makes any sense


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